Description:
- The Royer Labs R-122 MKII Matched Pair Ribbon Microphone Bundle includes two active, phantom-powered R-122 MKII ribbon microphones paired with two RSM-SS1 Sling-Shock shockmounts, specially engineered to isolate the microphones from vibration without the use of elastic bands. This bundle provides a complete, studio-ready stereo solution for demanding recording applications.
- Royer Labs R-122 MKII Active Ribbon Microphones (Nickel, Matched Pair)
- The Royer Labs R-122 MKII Active Ribbon Microphones combine phantom-powered active electronics with David Royers innovative ribbon design to deliver natural, transparent sound across a wide range of sources. Ideal applications include electric and acoustic guitars, electric and acoustic bass, drum overheads, brass, percussion, piano strings, woodwinds, Foley, and more.
- Based on the classic R-121, the R-122 MKII offers a faster transient response and a larger audio transformer, resulting in more open high frequencies and a tighter, more focused low-end response.
- Introduced as an update to the original R-122, the MKII version adds a switchable -15 dB pad and a bass-cut filter, both fully removed from the signal path when disengaged. The recessed switches prevent accidental activation during sessions.
- The -15 dB pad, positioned before the active electronics, eliminates the risk of headroom-related distortion when recording extremely loud sources, without imparting any sonic coloration. The bass-cut filter, starting at 100 Hz with a 6 dB-per-octave slope, effectively reduces low-frequency buildup caused by proximity effect. This smooth filter is particularly useful for vocals, acoustic instruments, and close-miked electric guitars when reduced low-end response is desired.
- The R-122 MKIIs active electronics are hand-wired in Burbank, California, and feature a specially designed toroidal transformer that delivers faster transient response than traditional ribbon microphones. This makes the microphone especially well suited for drum overheads, percussion, and acoustic instruments.
- A fully balanced, hand-wired discrete head amplifier system combines the custom toroidal transformer with ultra-low-noise FETs to achieve a sensitivity of -36 dB while still accommodating high-SPL recording without introducing self-noise. The phantom-powered circuitry provides impedance conversion, ensuring compatibility with a wide range of microphone preamplifiers.
- Royers proprietary offset ribbon transducer positions the ribbon element closer to the front (logo) side of the microphone, allowing greater ribbon movement within the primary magnetic field while maintaining a full and accurate frequency response during high-SPL recordings.
Features:
- Two Phantom-Powered Ribbon Mics
- Two Nylon Cord Suspension Shockmounts
- High Output, Impedance Matching
- -15 dB Pad
- High SPL Capabilities
- No Distortion up to Maximum SPL Rating
- Low Residual Noise
- Ribbon Not Affected by Heat or Humidity
- No High-Frequency Phase Distortion
- Equal Front and Back Sensitivity
Applications:
- Electric Guitar Amps
- Acoustic Guitar
- Drum Overheads
- Percussion Instruments
- Brass and Woodwinds
- Horn Sections
- Acoustic Piano
- Acoustic Guitar
- Harp
- Solo Strings and String Sections
- Choirs and Orchestras
- Commercial Broadcast
- Voice Over
Specs:
- Microphone Type: Ribbon
- Polar Pattern: Figure-8
- Element Type: Ribbon
- Controls: Pad, Low Cut/HPF
- Frequency Response: 30 Hz to 15 kHz 3 dB
- Maximum SPL: 135 dB (at 30 Hz)
- Analog Output: 1x XLR 3-Pin Male
- Power Sources: Phantom Power








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